Sam,
As a lawyer (among other things), I felt a burning need to make quick
comment; however, I have not had time to refresh my memory on all the
details - but here goes anyway.
As you may be aware, in Australia our copyright law has slightly
different terms and interpretations - so I have to be careful making
superficial observations on a topic that many others have studied in
considerable depth. In Australia, we only have "adaptations" but our
adaptations cover both the "adaptations" and "derivative works" found
under the US Copyright Law - Title 17 of the US Code. I am unsure of
current British Law in this area although much of our original
precedent is based on UK decisions. In all common law jurisdictions
the courts have struggled to come to grips with the digital age - so
even though all of our copyright laws are based on common WIPO
treaties - the US, UK, Australia all have strange decisions based on
technicalities that have resulted in the various laws being "patched
up" by subsequent legislative amendments (e.g. Computer Edge v Apple
(1986) in Australia).
My first reaction is to disagree with you about a form based on an
archetype not being an adaptation of an archetype - in my view that
would be at least debatable, depending on the facts of each
case. There are questions about whether copyright can subsist in a
work which infringes another (it appears it can in Australia -
provided that sufficient effort is expended in creating the
adaptation (the form in this case) as to satisfy the requirement of
originality [Redwood Music v Chappell]); whether what has been copied
is the unoriginal - rather than the original - portions of a work; or
whether it is the idea underlying the work rather than the expression
of the idea which has been taken.
In any case, there is a delicate balance and tension in the open
source licensing that allows vendors to use archetypes in commercial
products (expanding the appeal of openEHR) as against ensuring that
work contributed to the common good remains freely available to all
(ensuring ongoing community of interest support). I think that the
potential problem arises when vendor A takes an archetype and renders
it directly into a screen form and vendor B independently does the
same thing, slightly differently. If Vendor B did this without
reproducing a substantial part of Vendor A's work (and Vendor A
cannot prove otherwise) - it is OK from a copyright perspective. But
if Vendor A had gone and got an associated software patent or is able
to mount a successful "look and feel" case against vendor B - vendor
A may be able to establish a restrictive monopoly over the most
obvious way of rendering the archetype - good for vendor A but not
anyone else. Following Digital Communications Associates Inc v
SoftKlone Distribution Corp (1988) - the threshold to succeed in a
"look and feel" case in the US is very low - which is why people are
worried. The situation was almost identical to rendering an
archetype - and lawyers were surprised at the outcome as the screen
layout was so basic that it almost appeared to be protecting the use
of an idea, rather than its expression.
On the other hand, vendors naturally want to protect their
investments from theft - and to do this they would be well advised to
develop their own look and feel, copyright unique aspects of their
code and patent original software processes and use these means
(along with revenues from good service and support) to secure their
returns rather than to make claims on the basis of the rendering of
archetypes - but even this may be difficult for them - now that
clinical safety and efficiency are suggesting that we all ought be
adopting standard user interfaces. Your openEHR licences need to be
developed with good legal input to address the most obvious legal use
cases and create the type of market that you want. Unfortunately for
what openEHR Foundation is trying to achieve, there will always be
people in the commercial world (some with deep pockets) who will try
to take out competitors by mounting legal actions. You at openEHR
Foundation and your downstream developers need the best licensing
protections that you can secure, if you wish to engender strong uptake.
By the way - when you take lots of pieces of IP and build them into a
new work - such as a book - it is a "composition" not an
adaptation. There are a whole lot of rules about compositions and
the originality of compositions.
Regards Richard DH
